Exercises in oblique reference - colours are hinted at, alluded to, anything even resembling a tertiary would apparently petrify the horses.
Bordeaux
Dupas, Jean
32 in. x 44 in.
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It gains the Price of Rome in 1910. Its very personal style is described of academic or neo-classic.
It intervenes, like numbers artists of the time, in the most varied fields. It draws in the large magazines of mode such as Vogue and Harper' S Bazaar. In 1925, it presents at the exposure Art decorative the Parakeets, an oil on very noticed fabric. In 1927, it conceives, at the printer Draeger, one of the chiefs of work of the advertising edition, the catalogue for the Max. furs.
It keeps however a predilection for monumental works: "Greater east my work, more I am happy".
There remains very attached to its birthplace for which he carries out in particular a great composition the vine and the wine intended for the Exposure of decorative arts of 1925, like two frescos for the Labour market in 1941.
It collaborates in the decoration of several steamers, Island-of-France and Freedom. In 1935, with the glass Master Jacques Charles Champigneulle who will expose in his workshop of the Montparnasse boulevard the drawings préalabes to the work of decoration of the large living room of Normandy: work distinguished as for the overcome technical difficulties, chief of work to the clean direction; whose sample forerunner is visible with the Museum of the Navy in Paris, it decorates the large living room with Normandy, that is to say 400 square meters of painting on ice. It carries out many public and private orders in addition. He becomes member of the Academy of the Art schools in 1941.
Mother and Child
Dupas, Jean
18 in. x 24 in.
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Bordeaux
Dupas, Jean
18 in. x 24 in.
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Palais De La Nouveaute
Dupas, Jean
24 in. x 18 in.
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Arnold Constable
Dupas, Jean
18 in. x 24 in.
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Mother & Child
Dupas, Jean
5 in. x 7 in.
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Mounted